I Am A Big Jerk!

WritingSecond to revealing what search terms people have used to get to your site (we have two hits for people searching for “Delusional Musician”), copying emails is probably the lowest form of blogging. That said, we want to show you how this band works and interacts, and our emails back and forth are a large part of it.

Let me set the scene. I am sort of the editor for this blog. I send out emails trying to get the others to post, and sometimes forward articles and ideas to them. My goal is one post a day, and I have clearly failed on that front. Spencer is good about posting, and can even do it himself! Aaron emails me the text of his posts, and I format it and usually add a picture. Well, Aaron has been promising me a post for about a week now. Yesterday, I sent him an email pointing out that he was not writing:

1. Your dissertation
2. Your thesis
3. A final for school
4. An essay

Basically, just emphasizing that he was taking posting too seriously. He responded with:

However, you are:

1) A Jerk
2) A big Jerk
3) A jerk who thinks he’s so big and tough just because he started boxing
4) A jerk who can’t even box professionally at a time in which the talent pool has been weakened by MME and other forms of fighting.
5) A jerk who makes lists to prove points, adding scathing emphasis to what would otherwise be benign claims.

So why I am memorializing this on the blog? Well, I am pretty sure that this is the best writing that Aaron has done in the last 3-4 months.

Photo by Flickr user tnarik.

What is wrong with white people?

Last night I was fortunate enough to get back from Pennsylvania early enough to attend a jazz concert featuring two sets of immensely talented jazz, one from Jason Moran and one from The Bad Plus, at GWU’s Lisner Auditorium. Both sets were phenomenal yet only one received a standing ovation: The Bad Plus. This was disturbing to me because 1) the musicianship of Jason Moran and his band was unparalleled, 2) Moran was the headliner (though he surprisingly played first), and 3) The Bad Plus is all white and all but one of Moran’s 8-piece band was black (95% of the audience was white).

I have all kinds of theories on why this happened. I’ll throw out one of them, but I’d really like to hear feedback from you, dear reader.

My biggest one theory is that I don’t think the audience that was there for The Bad Plus is a real “jazz” audience. The Bad Plus’ jazz cred is beyond question, but a lot of their fans know them from their covers of rock songs; i.e., people that wouldn’t normally listen to jazz. They don’t appreciate that without the Monks and Coltranes and Parkers of the world we wouldn’t have The Bad Plus. The same is seen in pop music too. Justin Timberlake is hailed for essentially sounding like a black man; Elvis is the “king of rock and roll,” even though that music was invented by the likes of Little Richard and other black musicians. Led Zeppelin and The Rolling Stones gain massive fame by basing most of their music on blues progressions and riffs developed decades before by black pioneers. (NOTE: I’m not indicating the white artists here; they almost universally acknowledge the debt they owe to black musicians before them. I am indicting white audiences and critics though.)

So, it begs the question: What is wrong with white people that so many of us seemingly don’t give credit to the originators of the music we love? Moreover, why do we seem to not even care about what came before? Is it just a problem with white people, or do all music fans need a history lesson? (Also, to what degree is this indicative of people’s ignorance of history in general?)

These are massive, open-ended questions for a reason. The time is yours, please comment. I just want to open a dialog on these kinds of things.

No City Veins on Saturday

My grandfather passed away today and the services will be held this weekend. As a result, I am sorry to say that we will not be able to play our Saturday Halloween show at The Velvet Lounge. I hope everyone understands. I also urge everyone to go to the show anyway; with local favorites Bellman Barker, North-Carolina-greats Luego, and DC-up-and-comers The Great Escape, there will be no shortage of phenomenal music.  It promises to be a great time.

Help!

Help!When you tell people that you are in a band, the first question is always “What do you sound like?” This is a perfectly reasonable question, and everyone who is in a band hates it. We hate this question partially because we like to think of ourselves as unique snowflakes, and thus it is impossible to compare us to anything before, or even capture our genius within the confines of human language. But we mostly hate this question because coming up with an answer that doesn’t sound stupid is really really hard. I currently stammer out some form of “just a rock band…I guess.” Which makes me feel stupid, and gives the asker absolutely no reason to inquire further into my band.

I am currently trying to write a cover letter to send out with our press kits, and I am currently stuck on “the City Veins, a three piece DESCRIPTION OF BAND band from Washington, DC.” If anyone has any ideas for the description of the band section, please post them in the comments. I am getting desperate.

Photo taken from Flickr user loop_oh.

Is It Because I Lied When I Was 17?

T.T. ReynoldsIt was surprising how nice it felt to be in T.T.’s last night. After I have played a place a few times, I start to feel comfortable there. I know what to expect, where everything is, and don’t have to worry about things like: Will there be enough plugs for the amps? Should we have brought extension cords? What will the sound on stage be like? Will the microphones shock us? Having those questions answered makes for a more relaxed experience. Also, T.T.’s is just a nice honest bar with Budweiser, football, and (admittedly sub-par) hamburgers.

After watching the Redskins try really hard to try to lose a football game, we headed over to the bar. When recapping our last concert, I wrote about how important it was to figure out how to fit all of our stuff in my little Dodge Neon. Well, the reason that everything fits is because we are taking less stuff. While we are figuring out the three person thing, we are not using the keyboard. This is partially because it is easier to work with guitar, bass, and drums, and partially because the keyboard and the keyboard amp will not fit in the car. So the lack of a keyboard and amp, combined with not moving Adam’s stuff, has cut the non-drum portion of our equipment by about 1/2. While manpower has decreased by a 1/3, this still leaves Aaron and I ahead in the moving crap department.

Our performance went pretty well; I feel like we played better on last night than on Wednesday. One little hiccup occurred before “Strike Up The Band.” The guitar had gone out of tune, and Aaron wanted to tune it up. Unfortunately, he didn’t signal his intentions to Spencer quickly enough, because Spencer went ahead and started the song before Aaron had a chance to fix the tuning. We are really trying to cut down on the time between songs, so that is why Spencer started “Strike Up The Band” so quickly, but we may need to develop hand signals, or something, so that we can stop when we need to.

T.T.’s had a hard stopping time of 9:00, so every band was limited to about 35 minutes. So once again we cut our cover, and

Dodge NeonAfter performing, we loaded all of the stuff out. After we got all of the stuff out, Spencer and I were standing out by his car talking. The members of The Solitary System walked by, got in their car, and promptly proceeded to back into my car. I just stood there watching the whole thing happen and thinking, “they are going to stop, there is no way they are going to hit my car.” Well, they hit it, and they hit it pretty good, putting a healthy dent into my rear driver-side door. After what looked like a brief moment of moral uncertainty, they got out of the car and gave me their insurance information.

One of the reasons that I drive a purple Dodge Neon is that, for the most part, I don’t care about what happens to my car. This is not a car that is going to win me the admiration of my peers and the opposite sex. As long as the damn thing runs, I am happy. Getting this fixed means taking my car to a garage, getting an estimate, probably calling insurance companies, blah blah blah. I will have to look again today in the daylight, but I think this dent is bad enough that I am going have to get it fixed. This is just irritating. It would have been better if they had just totaled my car.